All Francisco de Zurbaran 's Paintings
The Painting Names Are Sorted From A to Z

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Choice ID Image  Paintings (From A to Z)       Details 
65618 the blessed alonso rodriguezas vision  the blessed alonso rodriguezas vision   1630 oil on canvas, 266x167cm se
65686 the coronation of st.joseph  the coronation of st.joseph   1632-1640 oil on canvas, 248x166cm se
33630 The Death of St Bonaventura  The Death of St Bonaventura   mk86 1629 Oil on canva 245x220cm Paris,Musee National du Louvre
21622 The Death of St Bonaventura (mk08)  The Death of St Bonaventura (mk08)   1629 Oil on canvas, 245x220cm Paris,Musee National du Louvre
61785 The Death of St. Bonaventure  The Death of St. Bonaventure   The Death of St. Bonaventure (The Body of St. Bonaventure in the Presence of Pope Gregory X and James I of Aragon)
65630 the defense of caadiz against the english  the defense of caadiz against the english   1634 oil on canvas302x323cm se
28115 The Defense of Cadiz Against the English  The Defense of Cadiz Against the English   mk61 1634 Oil on canvas 302x323cm
33633 The Ecstacy of St Francis  The Ecstacy of St Francis   mk86 c.1660 Oil on canvas 65x53cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
21631 The Ecstacy of St Francis (mk08)  The Ecstacy of St Francis (mk08)   c.1660 Oil on canvas, 65x53com Munich,Bayerische Staatsgemalde-sammlungen, Alte Pinakothek
65692 the eternal father  the eternal father   1631-1640 oil on canvas, 240x277cm se
65616 the flight from egypt  the flight from egypt   around 1629 oil on canvas 125x105cm se
65619 the girl virgin asleep  the girl virgin asleep   1625-30 oil on canvas, 109x90cm se
29129 The Girlhood of the Virgin  The Girlhood of the Virgin   mk65 ca.1660 Oil on canvas 29x21"
65623 the holy family, st. joaquim and st.  the holy family, st. joaquim and st.   1625-1630 oil on canvas, 136x128cm se
64694 The House of Nazareth  The House of Nazareth   1630 Oil on canvas Museum of Art, Cleveland Zurbar?n painted an important series of paintings for the Jeronymites of the monastery of Guadalupe. Here the mood varies from a vein of realism to visions of miracles and scenes of contemplation in which the mysticism of the great Estremaduran artist has mingled with his colors. Perhaps the finest of these scenes is the mystical House of Nazareth, in the Cleveland Museum. Artist:ZURBAR?N, Francisco de Title: The House of Nazareth, 1601-1650, Spanish , painting , religious
42016 The Immaculate one Concepcion  The Immaculate one Concepcion   mk166 17th Century Painting al I wave Museum of the Art Catalan Barcelona
727 The Lying in State of St.Bonaventura  The Lying in State of St.Bonaventura   1629 Musee du Louvre, Paris
55736 The Lying-in-State of St Bonaventure  The Lying-in-State of St Bonaventure   mk244 1629 Oil on canvas 245x220cm
20571 The Lying-in-State of St Bonaventure (mk05)  The Lying-in-State of St Bonaventure (mk05)   Canvas,96 1/2 x 94 1/2''(245 x 240 cm)Acquired in 1858 from the heirs of Marshal Soult
65714 the martydom of st james.  the martydom of st james.   1641-1658 oil on canvas, 252x186cm se
45429 The miracle of the hl. Hugo  The miracle of the hl. Hugo   mk186 1630-35 Sevilla, Museo Provincial de Bellas types
65638 the shepherds, worship  the shepherds, worship   1638 oil on canvas, 261x175cm se
43648 The Sudarium of St Veronica  The Sudarium of St Veronica   1658-61 Oil on canvas, 104 x 84 cm
65607 the virgin appears to the monks of soriano  the virgin appears to the monks of soriano   1626-1627 oil on canvas, 190x230cm se
65653 the virgin as a girl, praying  the virgin as a girl, praying   1631-1640 oil on canvas, 117x94cm se
50604 The Virgin Mary and Christ  The Virgin Mary and Christ   mk213 Oil on canvas
65712 the virgin of mercy with two mercedarians  the virgin of mercy with two mercedarians   1641-1658 oil on canvas, 166x129cm se
65703 the virgin of the caves  the virgin of the caves   1641-1658 oil on canvas, 267x320cm se
61788 The Young Virgin  The Young Virgin   The Young Virgin
88350 Thomas von Aquin  Thomas von Aquin   1631(1631) Medium Oil on canvas cyf
96563 Tiago Maior  Tiago Maior   1633(1633) Medium oil on canvas Dimensions 217.5 X 111 cm cyf
86771 Unbefleckte Empfangnis  Unbefleckte Empfangnis   Date 1661(1661) Medium Oil on canvas Dimensions 136 x 102 cm cjr
90776 Unbefleckte Empfangnis  Unbefleckte Empfangnis   1630(1630) Medium oil on canvas Dimensions Deutsch: 174 x 138 cm cjr
65745 veronica  veronica   oil on canvas, 70x51.5cm se
88478 Versuchung des Fra Diego de Orgaz  Versuchung des Fra Diego de Orgaz   c. 1639 Medium Oil on canvas Dimensions Deutsch: 290 x 222 cm cjr
65713 virgin and child in the clouds  virgin and child in the clouds   1641-1658 oil on canvas se
65741 virgin and child with st  virgin and child with st   1658-1664 oil on canvas, 130x100cm se
65733 virgin and child with st,  virgin and child with st,   john. 1658 oil on canvas, 137x104cm se
65737 virgin and child with st.  virgin and child with st.   john.1662 oil on canvas, 165x127cm se
43649 Virgin Mary with Child and the Young St John the Baptist  Virgin Mary with Child and the Young St John the Baptist   1662 Oil on canvas, 169 x 127 cm
65732 virgin of the rosary  virgin of the rosary   1641-1658 oil on canvas 181x102cm se
87152 Vision des Alonso Rodriguez  Vision des Alonso Rodriguez   Date 1630(1630) Medium Oil on canvas Dimensions 266 x 167 cm cjr
91925 Vision des Alonso Rodriguez  Vision des Alonso Rodriguez   1630(1630) Medium oil on canvas Dimensions 266 X 167 cm cyf
32904 Vision of Brother Andres Salmeron  Vision of Brother Andres Salmeron   mk84 1639-40 Guadalupe,monastery canvas 290x222cm
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Francisco de Zurbaran
1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..

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